Canon

EF-S 10-22mm f/3.5-4.5 USM

$759.00 ~
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Buy It $759.00Yes
Buy It $759.00Yes

This exciting zoom lens provides ultra wide-angle coverage to the EOS 20D, 30D, 40D, 50D and Digital Rebel SLRs. Equivalent to a 16-35mm zoom, it offers excellent performance and optics designed from the ground-up for digital SLR use. Three Aspherical lens elements, plus a Super-UD element, assure image quality. Its ring-type USM means fast and silent AF along with full-time manual focus. It focuses as close as 9.5 inches.

Product#:4205950
Category#:SLR Lenses
Retailer#:Canon(CAN)
Ratings #: 5 stars based on 18 Reviews

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  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.

  • 5 of 5 stars Positive
    physans (November 29, 2005)

    A MUST have for the 20D or Rebel XT owner

    PROS:10-22 with the 1.6 crop factor (multiply 10-22 by 1.6 to see the 35mm equivalent) is equivalent to the 16-35 lens on a Full Frame camera, but that lens costs over $1000. You get that kind of view and shooting ability for half the price!!Barrel distortion is minimal at the wide end, and is fun to play with. Besides, Photoshop CS2 can correct this now, if you don't like the result.CONS:The EF-S mount doesn't fit EF cameras! This means it will likely lose resale value more quickly, especially if Canon never makes an EF-S camera again.No lens hood or case is included, like you get for free with all Canon L lenses. I guess they didn't want an EF-S lens to be an L series, despite having almost the same quality.Despite the cons, you MUST have this lens if you have a 20D and want to shoot wide. There simply is no other option. GET IT! It's a blast to shoot with.